To make the plaques I put some damp sand in a bucket and placed my own bare foot on the sand to get a print, then mixed up some plaster of Paris and poured it in. It took a while to set because of the dampness of the sand. Then I had to get the cast out by upending the bucket and scattering sand everywhere. Then I had to order a whizzer online, (Chris having broken the previous one with hot soup.) Meanwhile I greased the cast with vaseline and carefully laid out the top layer of the final piece using tissue paper for the foot and newspaper strips for the surround glued together with acrylic medium. Finally got around to whizzing up some paper scraps into papier mache and adding it to the piece to make a thicker base. I wondered what would take the Vaseline off the top surface. Google told me to use rubbing alcohol from a chemist, but if none stocked it, I could use vodka instead. Well, guess what, I ended up with vodka in my studio.
I have learnt from the experience that I need to use a shallower but wider receptacle for the sand, so I can mould bigger feet or shoes, and get the cast out without so much mess.
I had a lovely time with a 7 year-old neighbour, showing him how to make a plaster cast of his feet. He was very impressed that he had to wear a mask while we mixed the plaster. It is getting interesting making the plaques, as I have to decide what news stories to paste around the edge, as well as what personal story to tell in the footprint. I found a good piece about the need for education in the refugee camps which felt just right.
Returning to paper clothes (as it takes so long for papier mache to dry), I took the story of the child drowned on a Turkish beach and conflated it with the current destruction of Syrian civilisation. So to tell both those stories at once, I made paper clothes for a toddler out of maps of Syria. When they were complete I crumpled them thoroughly, unlike the fashion clothes which I am trying not to crumple. I have stopped short of tearing or burning holes with joss sticks – but I still might.